Every summer, photos of otherworldly pavilions, tricked-out steampunk cars, and dusty hula-hoopers ingesting empathogens slide onto Instagram feeds worldwide thanks to Burning Man, the nine-day worldbuilding experiment in the remote Black Rock Desert of Nevada. Soon, though, burners won’t have to wait all year to meet up as Burning Man organizers have released design proposals for a permanent
Just an hour east of the first mass-produced suburb in the United States, a new model of affordable, quick-to-build housing has been realized—and is now for sale—in the town of Riverhead on Long Island’s North Shore. Boasting three bedrooms, two full bathrooms, and a spacious open floor plan, the suburban New York home in question
Mighty Buildings, a new San Francisco-based construction startup, is aiming to 3D print prefabricated housing. They’ve hit the ground running, and the company has already produced a number of accessory dwelling units (ADUs) and partnered with EYRC Architects to design its new range of stylish, small homes. By producing lightweight, stone wall, flooring, and roof
Japan is facing a labor shortage: As the country continues to age, with 35 percent of the workforce is over 55, the construction industry is looking towards new ways to fill its widening labor gap (Japan has been relaxing its notoriously strict immigration policy towards lesser-skilled workers, but very slowly). One of those solutions is
The Cambridge, Massachusetts–based practice Matter Design, directed by Brandon Clifford and partners Jo Lobdell and Wes McGee, is rethinking what performance and sustainability mean in architecture. “In the past few years the conversations we were having were falling outside of the conventional discipline of architecture,” Clifford said. “If you start to talk about sustainable building
There is a slide I like to show at the beginning of the architecture courses I teach that provides an overview of the last hundred years or so in design and technology. In the left column, a car from the beginning of the 20th Century (a Ford Model T) is poised over a contemporary car
The Harvard Graduate School of Design (GSD) has named Daniel Fernández Pascual, a Spanish-born, London-based architect, urban designer, educator, and researcher as the recipient of the 2020 Wheelwright Prize. Now in its eighth year as an international open competition, the Wheelwright Prize, which first originated at Harvard GSD in 1935, is a research travel-based grant
Deep in the forests of Ithaca, New York, a short drive from the Cornell University campus, lies the newly completed Ashen Cabin, a practical example of how new manufacturing methods can turn what used to be waste into useful materials. The small cabin was built by HANNAH, the small practice headed by Leslie Lok and
Every so often, the field of architecture is presented with what is hailed as the next “miracle building material.” Concrete enabled the expansion of the Roman Empire, steel densified cities to previously unthinkable heights, and plastic reconstituted the architectural interior and the building economy along with it. But it would be reasonable to question why
The Berlin-based Barkow Leibinger, with the help of the Boston-based architect of record Sasaki, has created the adaptable, translucent ArtLab for Harvard. As the university expands across the river into Boston’s Allston neighborhood, they’ve been developing an ArtYard—a contemporary, arts-focused answer to the walled Harvard Yard in Cambridge. Barkow Leibinger’s brief was to create an adaptable,
Long before the telephone, the airplane, and the internet, the original World’s Fair was created in 1851 as a method of presenting the achievements of all the world’s nations in a single setting. Countless modern accomplishments—among them, the telephone, the Ferris wheel, the dishwasher, and even the Eiffel Tower—have all debuted at various World’s Fairs
Sidewalk Labs, the architecture and urbanism spinoff of Google parent company Alphabet, has detailed a new model for designing tall timber towers on their Medium page. The “digital proof-of-concept,” designed in Revit and hosted in BIM 360, is called PMX (proto-model X), and is intended to show how a modular 35-story tower could be designed
Mexico City-based architect Gerardo Broissin has created a jigsaw puzzle-like concrete structure for the courtyard of the celebrated Museo Tamayo. Built for Design Week Mexico this fall, the pavilion, known as Egaligilo (Esperanto for equalizer), forms its own porous microclimate full of ferns and shrubs. In order for the pavilion to successfully keep the plants healthy,
The Architect’s Newspaper has granted its 2019 Best in Design Awards to a number of standout projects, with the TWA Hotel refresh coming out on top as the Building of the Year. AN also recognized the best uses of innovative materials, digital fabrication, and other tech-forward AEC innovations this past year. In Research, LAMAS’s Delirious
The presentations and activities at this year’s ACADIA (Association for Computer Aided Design in Architecture) conference gave attendees a glimpse of potentially disruptive technologies and workflows for computational architectural production. The conference was held this year in Austin from October 12 through 14 and was organized by The University of Texas School of Architecture faculty members Kory Bieg, Danelle Briscoe, and
Dubai is now home to what is claimed to be the world’s largest on-site 3D-printed building. The 31-foot-tall, two-story government agency was printed in on-site three weeks using a single printer developed by the Boston-based Apis Cor, which has previously garnered attention for their sub-$10,000 printed home and for winning NASA’s 3D-Printed Habitat Challenge along
Researchers at Rice University have developed a technique that makes 3D-printed common materials diamond-hard. Inspired by the theoretical form of tubulanes—a carbon nanotube structure that scientists predicted in the 1990s would have tremendous strength but have been unable to produce—the researchers scaled the structures up and found that these larger-scale imitators still maintained many of
“The mass-production of rubble constitutes one of modern architecture’s main legacies,” said the French designer and researcher Anna Saint Pierre. So much of what gets built gets demolished, or decays and needs to be restored or renovated. She explained that “The building sector accounts for 50 percent of natural resource consumption and almost 40 percent
Construction remains one of the most carbon-intensive industries, with materials often contributing significantly to the final project’s total pollution (concrete production, for example, is responsible for 8% of global carbon emissions). A report from the Carbon Leadership Forum, a network of academics and industry professionals hosted at the University of Washington to focus on reducing
While refugee camps are generally designed to be temporary, they often end up staying up for many years and become full, functioning cities in their own right, housing generations of people—Dheisheh camp, in Palestine, for example has been continuously occupied since 1949. However, because the materials they are built with—often just tents or tarps over
For the Chicago Architecture Biennial opening on September 19, SOM debuted a concrete pavilion called Stereoform Slab to showcase the latest in material and manufacturing technology. As much as 60 percent of a building’s carbon footprint can result from the creation of concrete slabs, according to SOM. By developing new fabrication methods and integrating robotic
Three Dutch organizations—the materials company DSM, the engineering firm Royal HaskoningDHV, and the 3D printer manufacture CEAD—have teamed up to create a printer capable of printing continuous glass- or carbon-fiber-reinforced thermoplastics. Currently, they are demonstrating the capabilities of printing structural elements, and even, they hope, entire pedestrian bridges, with CEAD’s CFAM Prime printer which can create
This summer, to celebrate the centenary of the Bauhaus, the Bauhaus-Universität Weimar in Weimar, Germany, hosted an exhibition called sumaery2019. At the exhibition, the university showcased some of the latest innovations in robotics, displaying a cable-driven robot that 3D printed cementitious material, designed by a team led by professor Jan Willmann, in cooperation with the
This May, designer Jou Doucet x Partners, working with the Times Square Design Lab (TSqDL), debuted a 3D-printed concrete alternative to the now-common heavy concrete planters, bollards, and more traditional “Jersey” barriers that surround public places and prominent buildings across the country. Anti-terror street furniture is the often ugly urban peripheral that plugs into our
For the Origen Festival in Riom, Switzerland students in the Masters of Advanced Studies in Architecture and Digital Fabrication program at ETH Zurich, guided by researcher Ana Anton, 3D printed nine unique, computationally-designed columns with a new layered extrusion printing process developed at the university over the past year and a half. ETH students and
Most 3D printers, no matter their size, operate in a pretty similar way: they move along a grid to deposit material, sliding on axes in a fixed manner within a frame. Even those with more flexible arms remain fixed at a point. GXN, the research-focused spinoff of the Danish architecture firm 3XN, is looking to
Earthquakes have been in the news lately with increasing regularity: Southern California recently experienced a July 4th quake registering 6.4 on the Richter scale followed by one just a day later at 7.1. It’s predicted that within the week there’s an 11 percent chance that a major quake could follow, and, of course, there’s the
Exhibit Columbus, the annual celebration of mid-century and contemporary design in Columbus, Indiana, will be showing off new possibilities of materials that unify support and envelope. This August, two of the festival’s six University Design Research Fellows will present this work as part of a brand new fellowship program. Marshall Prado, a professor at the
When I visited Arup’s New York offices, I was taken from the sunlit open areas on the fifth floor, down some stairs, through dark corridors, and into a windowless room with painted dark walls. There was a projector screen, someone by a computer, and a person in all black sitting off to the side. In the center of