On July 18th, Chattanooga-based architectural fabricator Branch Technology unveiled the world’s largest 3D-printed structure, a bandshell pavilion measuring 20-feet-tall and 42-feet-wide. The pavilion was first announced in Cambridge, Massachusetts during MIT’s 2018 International Association for Shell and Spatial Structures. The structure is located in Nashville’s emerging smart-city neighborhood, OneC1TY. Reported by Architect Magazine, the carbon

Ithaca-based studio HANNAH has installed a series of 3D printed seats across Socrates Sculpture Park in Astoria, Queens, for the summer, extending their architectural experiments in large-scale 3D printing to sectional furniture. RRRolling Stones is the 2018 winner of Folly/Function, an annual competition held by the Architectural League of New York in partnership with the sculpture

Amsterdam-based firm MX3D has completed the full span of its 3-D-printed stainless steel bridge, designed by Joris Laarman Lab, a multidisciplinary team located in the Netherlands. The bridge will cross one of the city’s oldest canals, the Oudezijds Achterburgwal, and is approximately forty feet in length and over twenty feet wide. Often using digital fabrication and

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Just weeks after ICON, the 3D printing technology company, broke ground on what is slated to be the largest 3D printed neighborhood, the Texas-based company is using its expertise and construction systems on an even larger project: lunar habitation. Yesterday, NASA, through its Small Business Innovation Research (SBIR) program dolled out a nearly $60 million

Mario Romero is a computational designer and digital practice manager at Perkins and Will. His work primarily deals in the melding of technology and architecture including: robotics, Digital\physical interface design, Digital fabrication (in specific, 3D printing), Modular building automation & intelligence. Mario previously worked at AS+GG in Chicago and holds a BArch from University of

NASA, Bjarke Ingels Group (BIG), SEarch+ and Apis Cor, and a host of other governmental bodies and design firms have made the news of late for proposals to 3D print Martian habitats from locally sourced regolith in-situ. These sorts of schemes all focus on easy-to-transport methods of construction with materials already on the Red Planet

Branch Technology is an advanced manufacturing company creating parametric, free-form solutions using large-scale 3D printing. We provide an exclusive competitive advantage to our enterprise relationships, who value design differentiation and innovation. These solutions include facade panels and wall systems, theme-based rock work, and large exhibits.

The theme of this year’s Venice Architecture Biennale, still on track to open on May 22, asks attendees and observers, How will we live together? For Skidmore, Owings & Merrill (SOM), that answer appears to be “on the moon,” as the multinational design juggernaut will bring its Moon Village to Venice’s Arsenale. For the Life Beyond Earth exhibition, SOM and the European Space

NASA is continuing the work started in its 2018 3D-Printed Habitat Challenge, which sought designs for 3D printing radiation-shielded Martian shelters from the surrounding regolith, a little closer to home. Participants SEArch+, 3D printing, robotics, and advanced materials startup ICON, and the Bjarke Ingels Group (BIG) have all been tapped to research how we might

The Provincial Centre for Sustainability and Innovation in Construction (better known as Kamp C) in the Belgian municipality of Westerlo has completed work on a two-story model home, measuring just shy of 970 square feet, that was produced as a single piece by a fixed 3D printer—a world’s first. The concrete printer in question is

If you mingle within the spheres of design and architecture, I’m sure you’ve seen them. They dwell within endlessly scrollable design websites and social media feeds; some even make it to print. Slick renderings of tree-lined balconies and floating cities; design “solutions” involving AI or 3D printing or bitcoin or whatever the new tech buzzword

Deep in the forests of Ithaca, New York, a short drive from the Cornell University campus, lies the newly completed Ashen Cabin, a practical example of how new manufacturing methods can turn what used to be waste into useful materials. The small cabin was built by HANNAH, the small practice headed by Leslie Lok and

Kerenza Harris is the director of design technology at Morphosis, where she works across the firm to integrate advanced computational techniques and high-tech simulations throughout the design process. Ahead of her presentation on system-based design processes and extended reality at TECH+ in Los Angeles next week, AN caught up with Harris to get her takes

The presentations and activities at this year’s ACADIA (Association for Computer Aided Design in Architecture) conference gave attendees a glimpse of potentially disruptive technologies and workflows for computational architectural production. The conference was held this year in Austin from October 12 through 14 and was organized by The University of Texas School of Architecture faculty members Kory Bieg, Danelle Briscoe, and

Can you build with concrete in space? That is the question NASA and Pennsylvania State University researchers have been trying to get the answer to in their Microgravity Investigation of Cement Solidification (MICS) study. If humanity has any future on the moon or Mars, we’ll need shelter—not from rain or snow, but cosmic radiation and

For the Origen Festival in Riom, Switzerland students in the Masters of Advanced Studies in Architecture and Digital Fabrication program at ETH Zurich, guided by researcher Ana Anton, 3D printed nine unique, computationally-designed columns with a new layered extrusion printing process developed at the university over the past year and a half. ETH students and

Since Dutch designer Iris van Herpen opened her eponymous atelier in 2007, the brand has become the face of high-tech fashion. Often the first to embrace new technologies like laser cutting and 3D printing in her fluid and futuristic forms, van Herpen has designed pieces worn by the likes of Solange and Rihanna, and, on the

Exhibit Columbus, the annual celebration of mid-century and contemporary design in Columbus, Indiana, will be showing off new possibilities of materials that unify support and envelope. This August,  two of the festival’s six University Design Research Fellows will present this work as part of a brand new fellowship program.  Marshall Prado, a professor at the

What if we could “breed” buildings to be more efficient? That’s the provocation by artist, designer, and programmer Joel Simon, who was inspired by the potentials of 3D printing and other emergent digital manufacturing technologies, as well as his background in computer science and biology, to test a system of automated planning. With a series

New housing is coming to Times Square, at least temporarily. The Virginia Tech team of students and faculty behind the FutureHAUS, which won the Solar Decathlon Middle East 2018, a competition supported by the Dubai Electricity and Water Authority and U.S. Department of Energy, will bring a new iteration of its solar-powered home to New

Art and architecture have always been inexorably intertwined, as new innovations in materials and construction allow buildings to rise higher and branch out into experimental new forms. But after concrete, high-rise timber, and advances in digital design, how will the field continue to progress? What new technologies and typologies will arise in the future, and

Founder JK Design Assistant Adjunct Professor UCLA AUD Julia Koerner is an award-winning Austrian designer working at the convergence of architecture, product and fashion design, specialised in 3D-printing. She is founder of JK Design and the JK3D brand and is a faculty member at UCLA. Her recent collaborations include 3D-Printed Haute Couture and Academy Award

There was a time when the internet, then new, and untested, was widely welcomed as a revolutionary technology that promised to alleviate—even fix—many of the evils then affecting late modern societies. That brief, juvenile spell was followed by almost 20 years of remorse and misgivings: from the early 2000s to this past month the internet,

The Royal Institute of British Architects (RIBA) is staging its first virtual reality exhibition, Freestyle: Architectural Adventures in Mass Media, created by Space Popular and curated by Shumi Bose. How architectural styles change and combine, and are propelled by media—etchings, magazines, Pinterest—is at the center of Space Popular‘s dizzying installation, and the changes in the

At Microsoft’s Redmond, Washington, campus, architect Jenny Sabin has helped realize a large-scale installation powered by artificial intelligence. Suspended from three points within an atrium, the two-story, 1,800-pound sculpture is a compressive mesh of 895 3D-printed nodes connected by fiberglass rods and arranged in hexagons along with fabric knit from photoluminescent yarn. Created as part

This summer, to celebrate the centenary of the Bauhaus, the Bauhaus-Universität Weimar in Weimar, Germany, hosted an exhibition called sumaery2019. At the exhibition, the university showcased some of the latest innovations in robotics, displaying a cable-driven robot that 3D printed cementitious material, designed by a team led by professor Jan Willmann, in cooperation with the

“Movement was always an underlying instigator to how I look at form,” explains architect Amina Blacksher, who began ballet at age six. Her work crosses boundaries and unifies seemingly disparate practices, as she now, among many other things, uses the tools and methods of an architect to investigate the place of robots in our lives

Human-driven climate change is threatening the coastal areas that nearly half of the world calls home with rising sea levels and increasingly severe storms. While dams, barriers, dredging, and artificial reefs are sometimes used to address these “forces of nature,” these strategies come with their own drawbacks and, in some cases, significant environmental and ecological